Awakening
Awakening
Awakening
Along a steep descent into the green
Valley below, I walked through knots of lean
Pines. On trampled saplings of scrub oak
Cool shadows wrapped my steps in a dark cloak
Of twisted boughs and overhanging leaf
That whispered crepitations of old grief.
But acid footfalls on sharp, fractured stone
Assured me I do not grieve alone,
That in the murky, scented tenebrae
Nearby choirs of tiny thrushes pray
Their anonymous antiphonals,
And Abert's squirrels shout out coarse warning calls.
Gray, slippery shadow trembles and cascades,
Revealing glimpses of somnambulant shades,
Pale vapors of familiarity
From oubliettes of churning memory.
I thought I saw my father up ahead,
Wounded by sorrow that spares not even the dead.
He died from lack of all for which he wished.
He looked out past me, into rising mist,
And soon thin vapors filled the empty air,
And swallowed him as if he'd not been there.
I was reminded of my numb surprise
When warmth fled him, and I pressed shut his eyes,
Those dim, unseeing orbs unwilling to stay
Shuttered from the light of that last day.
It took three tries for me to shut his eyes
To gray Fate and this world's unkind assize.
As I trod through sheer veins of transiting fog,
I heard the solo song of a croaking frog.
Narrow beams of penetrating light
Filtered through the canopy, and bright
Flashes shone on mountain jays in flight.
Suddenly an odor, pungent, strong,
Muffled the sweet choruses of thrush song.
A sudden bass of humming bees arose,
And droplets from the trees stained my clothes
As I walked through deep, violet beams
Of filtered sun that burned up my daydreams
And brought me back to birds and dancing bees
In the green needles of ponderosa pine trees.
The odor in that breeze was of the earth,
A little like the scent of afterbirth
When, from arched legs of bloodsoaked motherhood,
A lump of flesh emerges in warm blood.
Below my path, by an outcrop of rock,
I saw a tree toward which I began to walk.
It was an ancient ruin of hollows and scars,
A sturdy wreck of many seasons' wars.
Near its base were torn up roots. Around
A hollow in the trunk there wound
A thick entanglement of branches bent
As if they were defensive armament,
A rugged, battered ring of battlement
Wrapped with twisted lines of crenellations
Over broken bands of mossy embrasures.
In the trill of a chickadee's sharp call,
A scent of something strongly animal
Hung over that old tree, something like meat,
Something carnal, mixed with a hint of peat.
I dropped to my knees and looked inside the tree,
Where the floor was covered with leaf debris.
I licked one hand and rubbed it on the floor
Inside the tree, then withdrew it, black with spoor,
The scattered specks of coarse, fallen hair
From the sleeping hulk of a black bear.
Could this have been the bear we met higher up
When we walked on broken stone at the mesa's top?
This den was old, and lined with leaf and hairs,
Dark spoor of several Winters' sleeping bears.
I wonder if, in their deep sleep, they raced
Through dark skies where The Great Hunter chased
Them past The Royal Lady's starlit throne,
In the circle where the Lode Star shone.
I thought once more of father, dead, and all
His sweetest dreams changed into bitter gall.
And now I walked behind him, on my path
Which too must skirt loss, even unto death.
Each Spring amid dark, blooming irises,
Lean bears will step into the fertile breeze,
And dig their roots and grubs with grunts and growls,
And in these living woods, unlock their bowels.
My father, in the Winter's frigid grip,
Lay abed and slept as his life slipped
Away like wax that from a taper drips,
Until only mute dark seals eyes and lips.
Each Spring, as I diminish, from its den
The bear awakens, emerges once again,
To wander the green forests free of fear,
To fatten up and mate for one more year,
Then go to ground as winter snow draws near.
And I, much like the lumbering bear, will follow
Life's signs, until I sleep in death's dark hollow.
(Published in The Hypertexts and The New Lyre)


I hear an underlying tone of amazement that anyone could not wish to shut his eyes on the world. I'm only halfway thru the poem but can say without doubt it's handsomely written. Beauty is there in abundance. I personally cannot add to the world's seductions, not anymore, I simply know Nature's purposes too well. The what and the why are a unitary thing. And both are entirely knowable to everybody. Both are always right in front of them. Heraclitus, the top rung among rare spirits, couldn't have said it better when he noted "they're estranged from that with which they have most constant intercourse." Or words to that same effect. But why did he come to mind? Perhaps he's telling me to return to the source material and resume seeing through its surface. The best buds do deepen one's ear, a curious effect. But let me depart a short while to carry out his advice..........................just dropping back a sec to say, before I forget, that your phrase "unkind assize" gleams like gold..............................................................................................................................................................................................--------------------------------------------------------------------------------------------------------------another quick in and out, I think I'd have said the lump of flesh emerging in cold blood, though aware it's what Schopenhauer said in one of his best sentences. That's just me of course....................................................................................................................................................................................................................................................................................................................................................................................................................................................................................Back once more, your description of the ancient tree fortress is superb...........................................................................................(multiply times 5)................................Done. To me it's a philosophic affirmation that the cycle is endless. Sheer resignation to probability, or in your view, to what must in fact seem irreversible destiny. So why not just sing along. There's still no knowing what the future might hold. As a work of art, your poem shines.
The sorrow is palpable in this, as is the sweetness. I adore bears; they are my totem, making this even more pressing. In my own melancholy, there are so many times, especially these days, when the thought of eternal hibernation is more than attractive. Here, though, the figure of the father reaches the reader as a reminder, not just of one loved, but of one who has transgressed, his judgment having occurred in the passing one does not know, but the implication is that it awaits the poet as well. We all await the time to leave, and given that, we do our best, to be creatures who express and love, reflecting towards our fellow bears and humans kindness which sometimes, they do not deserve, but which for us, is the singularity that defines , who we have been even in our darkest hour.